Episode notes
Poet Will Harris reads Speakee Stonehenge, an exclusive sneak peek into the collection of poems he is currently working on, Speakee. It's a piece that keeps circling back on itself, returning to the same small moment in a room full of people, and each time it comes back it has picked something up: a piece of research, an overheard shout, a memory of a stranger's grief. Nothing is explained, and by the end a single ordinary word has quietly turned inside out. It's about who gets to belong somewhere, and how language decides that for us before we've noticed. Will and Freya talk about writing…
Podcast
Character Study
Freya Bromley · Arts & Books · English
Everyone plays a character, right? Welcome to Character Study the podcast that explores how creativity shapes our lives. Each episode, author Freya Bromley talks to artists of every discipline about how turning their life into material changed how they see themselves. Whether we’re writing autoficti
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S1 · 6 Aug 2026 · 20 min
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S1 · E9 · 4 Aug 2026 · 46 min
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S1 · E8 · 23 Jul 2026 · 45 min
Will Harris: A Brother, and One Big Lie
Poet Will Harris joins Freya to talk about writing a whole collection around a brother he never had. Will, who won the Forward Prize for Best First Collection, tells Freya where that idea came from: a hunch that people with siblings remember their childhoods better. They chat about why the most exciting phase of a writer's life is the one before you’ve published anything, how the copious notes he kept travelling across America by bus ended up weighing his writing down as much as helping it and why poets are always arguing that the ‘I’ on the page isn’t them. They also get into the novel…
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20 Jul 2026 · 22 min
Sufiyaan Salam: Passage Reading – Wimmy Road Boyz
Screenwriter, artist and Murky Book Prize-winning novelist Sufiyaan Salam reads the opening chapters of Wimmy Road Boyz: three young men in a BMW, cruising towards Manchester's Curry Mile at the start of a night that none of them yet know might be their last together. Sufiyaan and Freya talk about writing as a kind of method acting, how he inhabits his characters so completely that when they're in trouble, he is too, and the film-set principle of "method dressing" that shapes his approach to prose: build the parts of the room the camera will never see, because the reality bleeds through…
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S1 · E7 · 17 Jul 2026 · 44 min
Sufiyaan Salam: "Someone's Got to Take Shakespeare Out"
Screenwriter and novelist Sufiyaan Salam won the #Merky Books New Writers' Prize for his debut Wimmy Road Boyz. He joins Freya to talk about his novel that follows three young British-Pakistani men across one chaotic night on Manchester's Curry Mile. Sufiyaan, who’s also a BAFTA-nominated screenwriter and animator, tells Freya where the book came from: a real night out where he wanted to tell his friends what he was going through but couldn’t, and wondered if they were holding something back too. They chat about why the novel is built to feel like a rap album rather than a novel, how…
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S1 · 9 Jul 2026 · 14 min
BONUS EPISODE: Prologue to A Real Piece of Work
This week, a special bonus episode: the prologue of Freya's debut novel, A Real Piece of Work, read by actor Ellie Kendrick. OUT NOW A Real Piece of Work follows Nola, whose memoir about her late sister Darina has become a hit — critics love it, producers want the film rights, and everyone in her family hates it. When an anonymous complaint about the book lands with her publisher, Nola is certain the culprit is one of her own relatives. As the family gathers on the remote island of Lundy to mark the fifth anniversary of Darina's death, Nola sets out to discover who made it before it does…
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S1 · 4 Jul 2026 · 14 min
Sarvat Hasin: Passage Reading – Strange Girls
Novelist Sarvat Hasin reads from the second chapter of her novel Strange Girls — the beginning of Alia's story. Sarvat and Freya talk about how the two narrators of Strange Girls arrived in different voices and tenses: Ava, bold and certain, who could only ever be written in first person, and Alia, quieter, rendered in a storybook third-person past. They discuss the novels woven through the book — Donna Tartt's The Secret History and Edith Wharton's The Age of Innocence — and why an ambiguous relationship that's never named or declared can still change a person completely. Along the way, a…
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